With the battle in the reading wars - phonics versus whole language
- for the most part behind us, phonics has emerged as the preferred
method of teaching reading in many of our classrooms. Yet, despite this
improvement in curricula, reading scores in U.S. schools have not improved. Why
not?
A performance gap - namely, a language or verbal gap - still
persists, maintains Dr. E.D. Hirsch, founder of the Core Knowledge Foundation,
in Charlottesville, Virginia. Hirsch is widely acclaimed for bringing
strong and useful curricula to hundreds of schools.
The next front in the reading wars, Hirsch predicts, is language
arts wars.
Reading is more than just knowing the words on the page - it is not just a technical skill; it requires knowing a great deal of unspoken, background knowledge. Students enter school with a wide range of vocabulary skills, depending on their home environment - which is affected by class. Once in school, the reading curriculum does little to help close that gap. The reasons are many. First, if the curriculum does not present lessons that contains words or concepts that are not already in the child's mind, then the language arts lessons do little to challenge the child's comprehension skills.
Some maintain that there is nothing schools can do about this because disadvantaged homes with poorly educated parents ensure that children can never make up the gap. However, countries such as France demonstrate that the gap between classes can become narrower as kids go between grades. Meanwhile the gap widens in the U.S.
Hirsch maintains that something must be done to make better use of the growing blocks of time being devoted to language arts in the schools. Students' ability to understand what they read depends on their knowledge of the vocabulary on the page. The fact that their limited language skills do not get further challenged by what is taught in school is producing a performance gap in many classrooms across the country.
The way reading is taught has changed for the better because more children are taught how to decode words, thus improving their reading skills. But even children with high level phonics and decoding in early grades fail to demonstrate equally strong comprehension skills.
Hirsch points out that learning to read properly is only part of the battle. How teachers conduct language arts classes and the materials they use is fueling the performance gap that persists.
Schools spend too much time drilling students on comprehension skills - classifying, drawing conclusions, making inferences, solving problems, predicting outcomes, looking for the main idea. After so many repetitions, the exercises don't improve the students' skills. And, to learn these skills, children are often given fictional, vapid readings, indeed "deadly materials and deadly exercises," says Hirsch, without coherence from one reading example to the next.
Influenced by the romantic movement, which emphasized fiction and creative imagination in reading, schools have gradually lapsed into using reading examples that are void of content.
An example that we found is in the Scott-Foresman & Company language arts textbook for third graders, If You Meet a Dragon. Inside is a play called
The City Mouse and the Country Mouse. It is supposed to be based on the famous fable by Aesop. But upon comparing the two, the new text has clearly dumbed-down the dialogue to include smaller, more familiar works (TV, wimp, pizza, etc). In doing so, the content does not stretch a child's vocabulary. It is this type of content or lesson that Hirsch maintains is actually harmful. Textbooks are today written down to a child's level, rather than providing challenging content that can be used to expand vocabulary and introduce them to new ideas and facts that they would otherwise not know. In
The City Mouse play we found, the story is set in today's genre, and the children who will read and answer questions about the story are familiar with the theme and know the words pizza, TV and video. In the Aesop's fable (called
The Town Mouse and the Country Mouse), the mice talk of the Town Mouse turning "up his nose at his country fare"; which is beans, bacon, cheese and bread. The conversation is lively and the mice banter about how the other could possibly live with his kind of fare. Conversely, the modern day version has one mouse calling the other a "wimp." If our schools only expect children to be exposed to conversation and content that they already experience in every day life, what improvement can one expect in their knowledge base?
Publishers only react to what is expected, however, and groups representing teachers of English often lobby for the kind of material noted above. Hirsch says it's a disservice to students to teach these "short cuts" - being taught how to find the main idea without needing to go through reams of difficult content or facts. The substance of comprehension is based on concrete world knowledge, which is too often absent from language arts examples.
To change the current curriculum is a challenge, however. Not only would it cost money to upgrade the existing material, but it could also stir debate with publishers who would rather opt for unobjectionable stories than ones with substance - and possibly controversy, says Hirsch.
Yet, this is an important battle to wage.
"I think the new frontier in teaching of reading and teaching of literacy and closing the performance gap is going to be how do we get coherent, cumulative substance back into language arts, so that the time is no longer wasted," Hirsch says. "We have a tremendous opportunity to improve general level of comprehension - and narrow the performance gap between haves and have-nots."
Indeed, limiting the exposure of the all children to literature that is ageless and literate will reinforce the problem.